Introduction
Befree is a Russian youth fashion brand founded in 2002. Today it belongs to Melon Fashion Group, the country’s largest fashion retailer, alongside ZARINA, LOVE REPUBLIC, sela and IDOL. The brand operates 268 stores across 83 cities and also sells through five marketplaces. Befree works in the fast-fashion format, with collections updated continuously and up to a hundred new items released each week — a pace that gives the brand a constant reason to engage with its audience.

Befree website

The brand’s positioning rests on a simple idea: youth is a matter of mindset, not age. Befree describes itself as a brand «for everyone who loves youth fashion, regardless of age.» The notion of freedom is built into both its name (be free) and its slogan, «It’s always fashionable to be free.» Befree positions itself less as a shop and more as a community that shapes fashion together with its customers.
At its core lies the idea of inclusivity — the belief that everyone is beautiful and unique. The brand is guided by five values: humanity, freedom, intelligence and innovation, creativity, and a focus on the future. Befree deliberately avoids dictating fashion from the top down, preferring instead to co-create it with creative people across Russia.

Photos from Befree’s campaign

Its audience consists of the young and the young at heart: digitally native consumers for whom clothing is a means of self-expression. Originally a women’s brand, befree is now expanding its menswear line as well. Yet the audience is defined by behaviour more than by age or gender: for this audience, participation matters more than the purchase itself
Befree Co: Create projects
Participation is therefore embedded directly into Befree’s business model. The brand has grown a community known as #BefreeCommunity, and since 2021 it has run the Befree Co: Create project, releasing at least one collection each month in collaboration with artists, influencers, charitable foundations and its own followers. «Creating fashion together» is a genuine working process for Befree, supported by regular monthly releases. The following sections examine the theories behind this approach: the active audience as described by Uses & Gratifications theory, and two-way symmetrical communication as described by Dialogic Theory.
Communication Channels
Befree’s communication is organised as a single, connected ecosystem of channels. The brand maintains its own digital platforms alongside several social networks, and it drives promotion through influencer marketing and large-scale PR campaigns. The defining feature of Befree’s whole public field is the direction of communication: it does not flow from the top down, but works as a dialogue with the audience and relies heavily on content created by the subscribers themselves.
The brand runs several platforms, and they are all interconnected: the website befree.ru, a mobile app, a VKontakte community, a brand channel on Telegram, a dedicated Telegram bot for order enquiries, and a channel on the new social network MAX. The channel description already states the brand’s main guidelines: it calls itself «a Russian brand of women’s and men’s clothing» whose promoted values are «accessibility and inclusivity,» and it adds the hashtag #ВсегдаМодноБытьСвободным («It’s always fashionable to be free»). How close this communication is can be seen from the statistics of a single community channel: 14,012 photos, 995 videos, 2,811 links, 217 polls, and 51 voice messages. The polls are especially telling, since they show that the brand does not only publish content but also gathers responses from its audience.


Screenshots of Befree’s official Telegram account and VK group
Befree Store’s mobile app
Befree responds constantly in the comments: it thanks users for their feedback, explains the terms of promotions, announces contest results (for example, «Co: Create HUB TEKST: DROP»), and speaks with subscribers as equals, not as a distant brand. The discussions make it clear that a real person stands behind the account and reacts to specific comments. Because of this, the feed functions as a space for dialogue and not as a one-way showcase.
Brand interacts with the audience
A separate strand is the #BEFREECOMMUNITY rubric and the Befree Stylists Community (for example, a post with Lisa Barashek). Here the brand photographs real people from its audience, including bloggers, creatives, and ordinary subscribers, instead of professional «brand-face» models, and it tells their personal stories: a shoot with a hero at home, a video diary from a trip, a story about a «grandfather’s T-shirt.» The subscriber becomes a hero of the brand and a co-author of its content. In this way Befree gives people a platform for self-expression and creates the feeling that they belong to a shared community.
Befree builds its paid promotion on influencer marketing through the Perfluence platform, using a CPA model. The brand works with a large number of small bloggers and pays for results, that is, for sales instead of reach. This fits the general logic of Befree: anyone can feel part of the brand and act as a micro-influencer without having to be popular.
Befree works with small bloggers
Befree’s flagship PR campaign is the value-driven project «It’s Always Fashionable to Be Free.» At its centre is a video manifesto featuring eleven different characters: a plus-size model, a person with a hearing impairment, a dancer, and several brand founders. The video is built around freedom of choice and diversity, not around specific clothes. The campaign has its own microsite, a video on YouTube, and a manifesto book produced together with Seans magazine, with all proceeds from sales going to the «Anton Tut Ryadom» («Anton’s Right Here») foundation. In effect, the brand promotes its values (freedom, inclusivity, and charity) more than any single product, and it draws both the media and the audience into the message.
Befree «It’s Always Fashionable to Be Free»
Theoretical framework
To analyse Befree’s communication in scientific terms, we use two theories from the course, each answering a different question. Uses & Gratifications theory explains why the audience is drawn to the brand’s content and what it gains from it. Dialogic Theory explains how Befree builds its relationship with that audience and why its communication can be called two-way. Together they describe both sides of the same process: an active audience, and a brand that talks with it.

Uses & Gratifications theory was proposed by Blumler and McQuail in the 1970s as a response to earlier media-effects research. Its central question is not what media do to people but what people do with media, and for what purpose. The audience is active: it selects content to satisfy its own needs, and media compete with other resources to meet them. These needs are mapped onto Maslow’s hierarchy, from belonging to self-actualisation, whose highest point is reached when a person creates content, shares it, and gains the approval of a community. Blumler and McQuail identified four types of use: diversion (escape from routine), personal relationships, personal identity, and surveillance (curiosity about other people’s lives). For our purposes this is a working tool, since it lets us show which needs Befree meets through the #BefreeCommunity rubric and user-generated content.
Maslow’s hierarchy

To assess two-way communication specifically, we first recall Grunig and Hunt’s four models of public relations, which range from one-way broadcasting (press agentry and public information) to two-way models. Most fashion brands work on the two-way asymmetrical model: they study their audience in order to influence it more effectively, while the organisation itself does not change. The highest model, two-way symmetrical, is built on research, mutual respect, and the organisation’s willingness to change together with its publics. Befree leans towards this model, and the communication it describes is the subject of Dialogic Theory.
Dialogic Theory was developed by Pearson, Kent, and Taylor, and is regarded as the most ethical theory in public relations. Here dialogue means an honest exchange of opinions with respect for the other party, and it rests on five features: mutuality, propinquity, empathy, risk, and commitment. Online, this dialogue works through the dialogic loop: comments, polls, answers to questions, and feedback. These five features become the criteria by which we assess Befree’s exchanges with its subscribers.
Analysis

The theory explains what people do with media and for what purpose. In this case, the audience is active and chooses content for specific needs. Below, we show how befree covers four types of use and reaches self-actualization according to Maslow.
Diversion The befree feed is constantly updated with lookbooks, styling collections, and video diaries. In addition, the brand creates «youthful content» in the form of reels to reduce the distance between the audience and the brand. According to Blumler and McQuail, diversion means escaping the monotony of everyday life. The «Escape to Befree» recycling quest is based on the same principle: it turns the environmental theme into a game and keeps the audience engaged for longer than usual scrolling.
Personal identity Instead of professional models, the #BefreeCommunity and Befree Stylists Community sections feature regular subscribers, bloggers, and artists. The function of personal identity is that people see themselves through the stories of others, allowing subscribers to recognize themselves in the post’s hero based on their age, style, or experience and use the content as a mirror of their own identity.
#BEFREECOMMUNITY Zhenya Kalinkin and Katya Kischuk
Personal relationships Through Co: Create, contests, and the Stylists Community, users transition from passive viewing to community membership, which corresponds to the belonging level in Maslow’s hierarchy. The «Cultural Code 2.0» contest demonstrates the scale of this belonging: it brings together participants from Samara, Irkutsk, Nizhny Novgorod, Tver, and other cities on the brand’s platform, creating a shared identity for them.
Surveillance Home videos, video diaries, and personal stories of the characters provide insights into the private lives of real people and satisfy the curiosity about others' daily routines. The brand actively features these stories in the #BefreeCommunity section, for example, a video diary from a trip, a shoot with a hero at home, or a story about a «grandfather’s T-shirt» open a window onto a real person’s life.
In Befree, UGC works as a tool for self-actualisation. Through Co: Create and contests allow subscribers to become co-creators of collections and heroes of publications, receiving both creative fulfillment and public recognition according to Maslow. For example, the «Always Fashionable to Be Free» contest gave the winners 50,000 rubles for shopping, and the collaboration with the «Seans» magazine turned their stories into a printed manifesto book, with proceeds going to the «Anton Tut Ryadom» («Anton’s right here») foundation. Thus, Befree integrates this mechanism into its business model, where the winner of a contest can receive recognition from the community.
Befree X «Seans» magazine collaboration
Befree Co: Create and «Anton Tut Ryadom»
Befree Co: Create for the contest «CODE: CULTURAL 2.0»

The theory identifies five characteristics of genuine dialogue with the audience.
Mutuality Befree responds to its subscribers' comments, thanking them for their feedback, explaining the conditions of promotions, and summarizing the results of contests. According to Kent and Taylor, mutuality refers to the recognition of the interdependence of the parties without a hierarchy of power. Shmakova notes that an organic tone of voice is only possible through dialogue within the team itself, meaning that equality with the audience begins from within the brand.
Propinquity While it is important for U&G that Co: Create provides a sense of belonging, the Dialogical Theory emphasizes the moment when this interaction takes place. The characteristic of propinquity requires communication to occur before decisions are made, and befree implements this approach: on the Co: Create platform, artists upload their works in advance, and subscribers vote for those that will be included in the collaboration. This way, the audience influences the product even before it is released.
Befree Co: Create «Seans»
Empathy Dialogic theory describes empathy as a supportive climate in which different voices are welcomed. The «Always Fashionable to Be Free» campaign is built on this principle: its manifesto features a plus-size model, a person with a hearing impairment, a dancer, and several brand founders, treating their differences as something to be accepted. The collaboration with the «Anton’s Right Here» foundation and the incl
Risk The CPA model with micro-influencers means that the brand entrusts its narrative to thousands of people without control over each post. In the theory, risk refers to a willingness to embrace the vulnerability of spontaneous communication. The scale is visible in the numbers: about 22 000 influencers for 2024, an audience of 272 million users, and a ROMI of 882%. The unpredictability of this approach becomes a working tool for the campaign.
Commitment Co: Create has been ongoing since 2021, and the Stylists Community is built on long-term relationships. Commitment in the theory refers to a focus on mutual understanding and shared benefits. According to Shmakova, collaborations with artists have evolved into a «single hub» over time, transforming befree from a clothing store into a platform for the community.
Befree Co: Create collaborative collection with the brand MU: S

Most fashion brands operate under the two-way asymmetrical model, where they study their audience to influence them more effectively, but they are not willing to change themselves for this purpose. Befree prefers the two-way symmetrical model, where they expand their size range and add clothing for the men’s line, demonstrating their commitment to adapting to the community’s needs. Befree takes a position where they consciously strive for a symmetrical model while maintaining their marketing objectives.
Conclusion
The analysis shows that Befree’s communication is effective on both axes examined. Through the lens of Uses and Gratifications theory, the brand’s content covers all four types of use and reaches the level of self-actualisation, since Co: Create and its contests let followers become co-authors of collections and heroes of publications. Through the lens of Dialogic theory, all five features of genuine dialogue are present as regular formats with measurable results, which places Befree closer to the two-way symmetrical model than most fashion brands. The strategy works because participation is built into the business model rather than added as a campaign.
Several limitations temper this assessment:
• The dialogue is strongest on social platforms (VKontakte and Telegram), while the website and app, where purchases actually happen, close the dialogic loop less fully.
• The brand’s reach depends heavily on a small set of channels, which concentrates risk.
• The CPA model hands the brand narrative to thousands of micro-influencers, so consistency of message is harder to maintain.

Based on this, we suggest three improvements:
• Extend the dialogic loop to owned platforms: add visible Q&A, reviews, and feedback tools to the website and app, so dialogue continues at the point of sale.
• Make propinquity systematic: move the «vote before release» mechanic from individual campaigns into a standing feature, so audience influence on the product becomes routine.
• Convert recognition into retention: formalise the path from a one-time #BefreeCommunity hero to an ongoing role in the Stylists Community, which would deepen commitment and reduce reliance on constant new contests.
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